My thanks to NetGalley and the publisher for an advanced reader copy in exchange for an honest review.
Weaver’s Lament, sequel to Brother’s Ruin (2017), brings us back to protagonist Charlotte in Victorian-era England, where she attempts to infiltrate a suspicious mill and expose the poor working conditions and nefarious magic at play there. This series continues to be delightfully British — with tea, cakes, cravats, and magic, of course.
The “gaslamp fantasy” environment of Brother’s Ruin was fascinating and rich for potential exploration, but there was never a satisfying level of sufficient worldbuilding. Weaver’s Lament does even less with this world, sticking Charlotte in a stuffy mill for the majority of the book. The story gets bogged down with more tedious discussions of looms than I thought possible in a novel, much less a novella. Proceedings are much more compelling when Newman shifts to discussing Charlotte’s personal conflicts and her interactions with the alluring Magus Hopkins. The ongoing chemistry between Charlotte and Hopkins is the best part of this series, so far.
I’m a bit unsure if each one of these novellas is a one-off adventure or if each subsequent novella is a continuation of a cohesive story, but Weaver’s Lament does little to push the overall plot forward, much to my chagrin. If there’s another novella in Charlotte’s world, I’d hope for more worldbuilding, more magic, continued love triangle romances…and fewer looms.
★★½ out of 5